A look at the virtual set used in The Mandalorian.
Lead compositor Charmaine Chan chats to Vox about the technology Disney/Lucasfilm’s Industrial Light & Magic calls The Volume – how it works, how it feels, and what it means for the future of film and television production:
One interesting effect of wrap-around LED panels: they double as a light source for the action, creating reflections on actors and surfaces which add to the immersion – and reduce the amount of painstaking keying and relighting in post-production:
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More on rear projection, its history, and how professional shoots do it, over here: