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The power of the face in the director’s Spaghetti Westerns.
Why hi-res isn’t always better – and how it isn’t even always hi-res.
A roundup of explainers on both technical and creative things to consider.
The dramatic peak of a dialogue scene is often a close-up… of an object.
… and the importance she places on “point of view”.
How the pop star and the director changed music, film, and popular culture together.
The film editor’s words on her craft, and her longtime working relationship with Martin Scorsese.
Breakdowns, interviews and workshops with the director & DOP behind The Handmaid’s Tale and I Think We’re Alone Now.
A study of the ways the director uses his most powerful storytelling tool.
Ways of thinking about – and creating – the music in your film.
A roundup of tutorials on how to green screen without green screen.