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This time, going electric doesn’t change the world, but it’s stylish.
Is it a satire if it talks a lot, but doesn’t say much?
A round-up of breakdowns of Wes Anderson’s rich, intricate film.
Breakdowns of form and function in Denis Villeneuve’s epic adaptation of Frank Herbert’s sci-fi classic.
The closing credit sequence – that single shot – is a movie, is life, itself.
A joy of a learning curve about a daughter and mother.
Just tagline the movie poster ‘The real Outer Space is Inner Space’ and save us the extraneous third hour.