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Entertaining and lavish – though you may have to skip through some bits to maintain engagement.
A look at how blueprints can work for a film – and for us as filmmakers.
A collection of video essays on the craft of Bong Joon Ho’s film.
A biting, meticulous flavour, new and strange to the palette.
“Why did this film win an Academy Award for Best Editing?”
Masterful filmic storytelling.
Roger Deakins: holy shit. Gender and race: hmmm.
Edgar Wright-isms that before had only lasted for seconds or frames, here blown up into a feature-length, non-Cornetto instalment.
Methodically suspenseful, geometrically haunting.
I still find him and the producer less gross than certain real-life American news outlets.