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The power of cutting, transitions, sound design and music cues in creating – and completely transforming – our understanding of film.
A roundup of videos about the ways, good and bad, that directors of major features work with their performers.
Modern examples of Eisenstein’s “Methods”, or the Soviet Theory of Montage.
How will filmmakers tell stories in this emerging medium?
Phones, chuckles and plastic wheels on various surfaces all conspire to create powerful mood.
Re-cuts, de-effects, and other responses to moments from the films of Stanley Kubrick.