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There’s old-fashioned, and then there’s out of touch – and even Steven Spielberg, cinematic maestro (not least of first-contact alien movies), can miss the mark.
Lessons from the origins and marketing of the creepypasta horror film, by the youngest director in A24 history.
Gore Verbinski’s angry sci-fi caper takes aim not only at AI, but at you and I.
A sweet series about two struggling actors trying to make it in Hollywood – which just happens to be set in the Marvel universe.
Gather round, movie lovers and DIY film nerds alike, as we learn how this playful, inventive, hilarious gem was made.
Superhero movie fatigue is real…
Sweet, but needs practice.
Storytelling lessons from a political drama for our moment.
The best Star War since Empire – and far, far better than we had any right or hope to expect.
The inspirations and approach powering the show’s look and feel.
A late-stage abomination with little thematic connection to anything that brought it into existence.
Bring on this anthology series.
A wild ride, at its best when it’s least concerned with being a prequel.
More innovative as a technical milestone, and as a model for independent film-makers, than as a science-fiction story.
Caroline Klidonas’s inventive and hilarious short film is so. well. done.
A writer-director’s “fever dream… that he doesn’t know he’s constructed”: beautifully and expansively shot, but perhaps not as vividly realised at it is felt.
A miracle we must protect at all costs.
What if Blade Runner but less mercenary and more dreamy?
While it made me miss the meticulous craft of the original… it also made me cry.
Is it a satire if it talks a lot, but doesn’t say much?
Striking visuals, messy storytelling, and Lee Pace.
Breakdowns of form and function in Denis Villeneuve’s epic adaptation of Frank Herbert’s sci-fi classic.
No idea what I’m watching, and having a blast. Plus this score slaps.
Unintentionally ironic parable about self-styled messianic tech bros.
Star Wars goes Kung Fu starring Boy & Bear.
It’s a bit of a mess: the pieces are all there, but they’re deployed in the least effective ways possible.
Star Chris Evans releases behind-the-scenes footage of rehearsals for the elevator fight scene.
Masterful filmic storytelling.
Exciting, beautiful, idealistic, an important statement in a cultural moment, and a real good time.
Sequel to a film about Big Questions; prequel to a film which neither asks nor answers any.