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A look at how the master delivers story and character without cutting.
A biting, meticulous flavour, new and strange to the palette.
The Fluidity of Editing Without Cuts.
Drawing Focus: using motion design to highlight the text.
A look at the director’s singular voice in film.
The closing credit sequence – that single shot – is a movie, is life, itself.
Film students should ask: “What do your ears see?”
How to more deeply connect viewer to character and story.
Prequels can’t help but be sequels.
A sci-fi film about editing, and what it does to us as humans.