Film School: The French Dispatch (2021) A round-up of breakdowns of Wes Anderson’s rich, intricate film. Continue reading →
Review: Only Lovers Left Alive (2013) Jarmusch makes things that look like movies, but really aren’t. This is just his prettiest such thing. Continue reading →
Review: The Ides of March (2011) As a political thriller, it’s somehow both lean and languid – and while this would be a compliment for almost any other genre, here perhaps it doesn’t always work in the film’s favour. Continue reading →
Review: Basquiat (1996) Come for Bowie as Warhol. Stay for Walken’s single, movie-stealing scene. Continue reading →