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The film editor’s words on her craft, and her longtime working relationship with Martin Scorsese.
Breakdowns, interviews and workshops with the director & DOP behind The Handmaid’s Tale and I Think We’re Alone Now.
The show’s true meta is its eerie, impossible, prescience.
Colour and flexibility in The Neon Demon and Honey Boy.
A look at the virtual set used in The Mandalorian.
Where does the director’s job end and the DOP’s begin?
This classic experiment shows the power of editing – as explained by one of its masters, Mr Alfred Hitchcock.
Lessons from the innovative sound designer of Star Wars and many more.
A roundup of videos on the process and significance of Chloé Zhao’s lauded film.
Twenty years on, Brad Pitt could still play Tyler Durden.