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Why hi-res isn’t always better – and how it isn’t even always hi-res.
… and the importance she places on “point of view”.
Breakdowns, interviews and workshops with the director & DOP behind The Handmaid’s Tale and I Think We’re Alone Now.
An introductory overview to the glass through which feature films and commercials are captured.
A roundup of tutorials about working with only natural or available light.
“Sometimes, in order to get to the deepest emotional depths of a character, capturing a feeling, rather than reality, is more important.”
The unusual and enlightening process of Paul Thomas Anderson’s celebrated film.
Where does the director’s job end and the DOP’s begin?
A masterclass in the director of photography’s ambient, low key visual style.
A comprehensive overview of the Image Pipeline.
A collection of video essays on the craft of Bong Joon Ho’s film.