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Tips for your approach, from the overall vision to the nuts-and-bolts of realising it.
An intro to technical basics, to capture the best possible image.
Handy guides to knowing how, when, and most importantly why, to move the camera.
Why hi-res isn’t always better – and how it isn’t even always hi-res.
… and the importance she places on “point of view”.
Breakdowns, interviews and workshops with the director & DOP behind The Handmaid’s Tale and I Think We’re Alone Now.
An introductory overview to the glass through which feature films and commercials are captured.
A roundup of tutorials about working with only natural or available light.
“Sometimes, in order to get to the deepest emotional depths of a character, capturing a feeling, rather than reality, is more important.”
The unusual and enlightening process of Paul Thomas Anderson’s celebrated film.
Where does the director’s job end and the DOP’s begin?