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… and the importance she places on “point of view”.
A scrapbook of the stunning visuals in the first season of the Marvel series.
How to find the “Where” of your film.
Breakdowns, interviews and workshops with the director & DOP behind The Handmaid’s Tale and I Think We’re Alone Now.
An introductory overview to the glass through which feature films and commercials are captured.
A roundup of tutorials about working with only natural or available light.
Colour and flexibility in The Neon Demon and Honey Boy.
Since long before lockdowns, quarantines and isolation, film-makers have had to be as independent as imaginable. Here’s a roundup of tutorials to show you how:
“Sometimes, in order to get to the deepest emotional depths of a character, capturing a feeling, rather than reality, is more important.”
The unusual and enlightening process of Paul Thomas Anderson’s celebrated film.
Where does the director’s job end and the DOP’s begin?