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Behind the scenes and sample footage of what the cameras capture before the cameras roll.
A half-plate of warmed-up leftovers from Ragnarok.
The dramatic peak of a dialogue scene is often a close-up… of an object.
Solved: how to turn this from mere spectacle into an actual story – using elements already in the movie.
Perhaps the only Nolan film where his talent for engineering inhuman characters is exactly what the film needs.
Nolan doesn’t understand people, emotions, character or story.