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Lessons from the directing, design, and discourse of Emerald Fennell’s interpretation of Emily Brontë’s gothic novel.
A study of the ways the director uses his most powerful storytelling tool.
The aesthetics and motifs of the director’s filmography.
A biting, meticulous flavour, new and strange to the palette.
Roger Deakins: holy shit. Gender and race: hmmm.
Neon Noir lives in its tactile visuals.
If there was an intention beyond B-movie schlock, it’s not clear to this viewer.
A 145-minute “Fuck you” to the series – in a fancy frock.