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“When people rush or get tired on set, bad things happen.”
A overview of pre-production work behind what the camera sees.
Breakdowns of ways this sound design approach is used in major feature films.
Cinematographer of Joker, The Hangover, and Garden State gives a masterclass accessible to beginners – in 15 minutes.
Tips for your approach, from the overall vision to the nuts-and-bolts of realising it.
Incentives and value you can offer your crew.
The classic in-camera effect to trick the audience’s eye.
Or: How to make a $25 million film look like a blockbuster.
Handy guides to knowing how, when, and most importantly why, to move the camera.
From “Remake? Why?” to essential, timely, breathtaking update.