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Techniques for getting yourself and your collaborators on the same page ahead of production.
Ways to work with less-than-ideal footage in your edit.
“Nothing is random. Everything in the frame is designed to tell one story.”
Some ways directors “borrow” from, or add to the conversation about, other films.
The power of cutting, transitions, sound design and music cues in creating – and completely transforming – our understanding of film.
A look at how the master delivers story and character without cutting.
“Countless male directors… owe their success, in part, to a brilliant female editor.”
A comprehensive overview of the Image Pipeline.
Danny Gevirtz shares his process on three projects: a mini doc, a music video, and a solo narrative.
Stuck at home, but still want to make movies? Here are some ideas for shooting, editing and VFX on your own.
Understanding the ideal settings for your final video.