Skip to content
Lessons from the directing, design, and discourse of Emerald Fennell’s interpretation of Emily Brontë’s gothic novel.
Lessons about staging from side-by-side comparisons.
How two cash-in prequels became a toxic trilogy.
Side-by-side comparison: a unique opportunity to learn about choices in film-making.
I wanted to stay on the island.
This isn’t an art film when it absolutely could and should be.
From the source material, to the new material: a litany of bad decisions.
Paul Feig is not as funny as his leading ladies.
How, exactly, is Miranda the ‘Devil’?
Maybe the best of the ’90s John Grisham adaptations?