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Inside the cinematography, editing, and VFX of David Fincher‘s thriller.
Less impressive as a science-fiction story than as a technical achievement.
Never imagined saying “Donatello is my fave!”, yet here we are.
Process and commentary, as shared by the film’s animators.
The best Star War since Empire – and far, far better than we had any right or hope to expect.
Why does this barely-tossed salad of 25-year-old film tropes, with no invigoration or distinct vision, even exist?
The first time Marvel (the studio) seems to care about one of its female characters.
A half-plate of warmed-up leftovers from Ragnarok.
A miracle we must protect at all costs.
While it made me miss the meticulous craft of the original… it also made me cry.