Phones, chuckles and plastic wheels on various surfaces all conspire to create powerful mood.
As part of her video series 1.000.000 Frames, Candice Drouet‘s engaging supercut shows the role of diegetic sound (ie sound from an on-screen source) across the films of Stanley Kubrick:
Also: I hope to write about this separately at some point, but for now I’ll park it here – Lewis Crisswell’s video essay on Kubrick (via Channel Crisswell):
And while I’m parking All Things Kubrick here…
Related Posts:
Film School: How Editing Can Transform Genre The power of cutting, transitions, sound design and music cues in creating - and completely transforming - our understanding of film.
Film School: Fix It In Post Ways to work with less-than-ideal footage in your edit.
Film School: Bad Editing in ‘Bohemian Rhapsody’ "Why did this film win an Academy Award for Best Editing?" How a movie flunks Film Editing 101.
Audio School: Sound Design in Anime & Games Where the sounds that create worlds can come from.
Film School: The Instinct in Editing A look at the more ephemeral side of the art and craft of cutting film.
Film School: 10 Simple Editing Tips Handy hints for beginners - and evergreen reminders for those with more experience.
Film School: Sound Design Film students should ask: "What do your ears see?"
Film School: ‘Terrible’ Editing in “Kong: Skull Island” The effect is exhausting - and for what?