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A wild ride, at its best when it’s least concerned with being a prequel.
Charming leads, missed opportunities.
Coming-of-age adaptation with no style, perspective, or palpable personality.
The polite first draft of a heartfelt tribute.
Emma Stone and Yorgos Lanthimos: creating unique perspective.
An alternately cutting and tender satire, which chooses not to land.
Wim Wenders gifts us a gentle, contemplative piece which is rich, lovely, and worth your time.
At what point is a B-movie, which references other B-media, itself so trashy that it’s simply, unironically, and bewilderingly bad?
Caroline Klidonas’s inventive and hilarious short film is so. well. done.
Version 1.0 of what could be a better family drama.
Never imagined saying “Donatello is my fave!”, yet here we are.
The white saviour and failed representation in a lauded ‘masterpiece’.
Another meticulously-crafted, if wilder, Benoit Blanc caper.
A not-so-esoteric-as-it-seems-at-first, beautifully made and performed, story of growing apart.
In which Cate Blanchett finally nearly plays an actual person.
Dream of the Endless enters our TV realm – beautifully.
A writer-director’s “fever dream… that he doesn’t know he’s constructed”: beautifully and expansively shot, but perhaps not as vividly realised at it is felt.
Why does this barely-tossed salad of 25-year-old film tropes, with no invigoration or distinct vision, even exist?
The first time Marvel (the studio) seems to care about one of its female characters.
A half-plate of warmed-up leftovers from Ragnarok.
How a tiny short film grew to a big tiny feature film – with its heart intact.
At best, pointless – and at worst, paving the way for a dumber OT reboot.
A miracle we must protect at all costs.
What if Blade Runner but less mercenary and more dreamy?
While it made me miss the meticulous craft of the original… it also made me cry.
Is it a satire if it talks a lot, but doesn’t say much?
From “Remake? Why?” to essential, timely, breathtaking update.