Explainers and tutorials about the film-making secret to controlled, “natural” light.
Cinematographer Autumn Durald Arkapaw discusses her techniques for recreating sunlight in film (via Cooke Optics):
Meanwhile, at the DIY end of the scale, cinematographer Danny Gevirtz demonstrates two ways he creates a sunlit day at night:
Wandering DP regularly breaks down scenes from commercial work which use what he calls “The Framework“, where sunlight (recreated or natural) is located on the far side of (“upstage” from) the subject:
For comparison, here’s an example with actual natural light:
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Film School: Working with Natural Light A roundup of tutorials about working with only natural or available light.
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Film School: Projector Lighting Effects A roundup of techniques for in-camera visual effects, and where and how they might be used.
Film School: Recreating Shots from Movies A fun, hands-on way to learn the craft - and illusion - of film-making.
Film School: Boring Locations Made Interesting ... using better staging and composition.
Film School: The Look of ‘Loki’ A scrapbook of the stunning visuals in the first season of the Marvel series.
Film School: Shaping Motivated Light Get creative by using gobos for more theatrical lighting.