On the more creative / narrative side: while i’m not convinced his takes on modern aesthetics aren’t occasionally reductive or overly influenced by his specific taste, here wolfcrow offers interesting considerations of the ways in which the look, and even the very storytelling, of movies and TV shows are being shaped by developments in HDR technology:
A quick reference for how “color space” works (via Endgadget):
Film School: Colour in ‘Euphoria’ "Sometimes, in order to get to the deepest emotional depths of a character, capturing a feeling, rather than reality, is more important."
Film School: Colour in Film A collection of video essays exploring ways colour is used in visual storytelling.
Film School: The Power of Overlapping Edits Smoother, more powerful, and more transportive techniques to take your viewer from one shot, character, location, or idea to the next.