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Comedy writer Brett Forrester explains how he wrote a classic episode of a classic show, and offers a peek into how a writers room works.
From Odyss-A to Odyss-Z: our lessons from Christopher Nolan’s adaptation of Homer’s epic.
From 35mm to IMAX, in-camera effects to post processing: Hollywood directors are marketing their movies by nerding out – and we’re here for it.
Behind the scenes and sample footage of what the cameras capture before the cameras roll.
Martin Scorsese’s partnership with a Gen AI studio has sparked discussion about the use of AI in pre-production and film-making.
The deceptive marketing and diminishing returns of “the First Ever AI Feature-Film”
In an age of ‘Fix it in Post’, committing to a look in-camera is making a comeback.
Lessons from the horror smash – and its 26-year-old writer-director’s journey from YouTube to making box office history.
Sweet story, stunning visuals, and a helluva campaign for IMAX.
A look at the work of the director of photography on Sinners, Black Panther: Wakanda Forever, and Loki.
Working with harmony and contrast in this three-colour scheme.
Lessons from the director and his influential masterpiece.
A technique for adding visual interest and enhancing storytelling.
When brands opt for physical craft over computer generation – and what that may tell us about class and the future.
Sebastian Lopez’s short film ‘That’s AI’ is very much real.
In the current conversation about AI film-making and uncredited creators, the backlash has reignited discourse about plagiarism in the director’s previous work.
How a YouTuber’s DIY movie release beat Hollywood at its own game.
How a phenomenon was produced on a shoestring budget.
Checking in on the legacy of Apu from The Simpsons, and the conversation about representation in American popular culture.
Pre-visualising the film’s iconic juke joint sequence.
Florence Pugh said “sex scenes are awkward”. What can we learn from the larger conversation?
When a tech giant chooses practical effects over CGI and AI.
Filmmakers Academy presents a series exploring the types, uses, power, and psychology of color in film.
“If you didn’t notice the visual effects in the movie, it doesn’t mean there weren’t any visual effects in the movie.”
A 90-minute masterclass from the screenwriter of Little Miss Sunshine and Toy Story 3.
One viewer’s observation becomes another’s obsession.
Lessons from the production and portrayals of race, gender, and politics in Paul Thomas Anderson’s film about revolutionaries and supremacists, parents and children.
Simple, powerful technique for motivated edits and better storytelling.
From basic idea, to technical demos, to masterclass: how the DP of Knives Out (2019), Glass Onion (2022), Wake Up Dead Man (2025), and The Last Jedi (2017) makes digital look like film.
“Everything that you see behind the actors”, in series and movies.