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The dramatic peak of a dialogue scene is often a close-up… of an object.
… and the importance she places on “point of view”.
How the pop star and the director changed music, film, and popular culture together.
The film editor’s words on her craft, and her longtime working relationship with Martin Scorsese.
How to find the “Where” of your film.
The caustic, the clumsy, and the commendable collide in Marvel’s second – and second eerily prescient – TV series.
Tips for working with clip-on, or lavalier, microphones.
An intro to using the DAW with video files.
Breakdowns, interviews and workshops with the director & DOP behind The Handmaid’s Tale and I Think We’re Alone Now.
Ways to approach the use of colour in your visuals.
A guide to creating sound effects for your film.